Born 1984, in Halle (Saale), Germany
Lives and works in Berlin

Jay Gard studied at the Academy of Fine Arts (Hochschule für Grafik und Buchkunst) in Leipzig and graduated the class of Installation and Space in 2011. Since 2022 he is a co-curator of BcmA Gallery in Berlin. In his artistic practice, Gard’s works range from space-filling installations to three-dimensional wall paintings. His pieces cite – sometimes ironically – artistic, cultural and design-related codes which he reinterprets and places in different contexts, stripping them of their original meaning.

Born 1971 in Bad Schlema, Germany
Lives and works in Berlin, Germany

In the works of Susanne Roewer often two conflicting materials collide, forming a fragile new entity. Susanne Roewer’s sculptures in particular are rooted in her exploration of elementary materials, such as metal, stone or glass, combining figurative elements with an abstract form language. During the process of creation, the artist is frequently guided by the material and its specific qualities.

Born 1968 in Tbilisi, Georgia
Lives and works in Tbilisi, Georgia

Tamara Kvesitadze achieved international appeal through her work with kinetic sculpture, making movement the essence of her creativity. Her artistic practice focuses on the tension between the human and its world, with the body always being at the centre of her exploration. Her way of understanding the body is ambiguous and always in flux. Her sculptures are dynamic and often with a deliberately unfinished quality to them. Bordering on the grotesque, they reference classical sculptures and allude to playful games between the subconscious and conscious worlds.

Born 1966 in London, UK
Lives and works in Alfred, New York and Pittsburgh, USA

Coral Lambert studied Sculpture in England before moving to America in the mid 90’s. She produces process-based site-specific work and sculpture in the public realm. Her extensive background as a formal steel sculptor coalesces with her passion for casting hot metal. Many of her works embrace the power of the feminine, such as the ‘Boobelisk’ series which references phallic monuments as well as Egyptian obelisks, questioning concepts of ownership and site with a sense of wit.