GROUP EXHIBITION BODY LANGUAGE


April 28 – June 21, 2023


Tamara Kvesitadze
Valentina Murabito
Youjin Yi
Pablo Benzo
Jay Gard

 
Five artists, five nations, three artistic mediums, and one goal: The Body Language exhibition reveals the different ways we relate to our bodies. It is about strength, alienation, suffering and identity. Physicality becomes (again) perceptible as a human quality in a time in which digital experience and artificial intelligence are becoming more prevalent. Ultimately, Body Language refers to the perception of one's materiality both as a physically tangible aspect and as the sensations associated with our corporeality.
 

Tamara Kvesitadze
Man and Woman, 2020
Stainless steel, mechanics
94 x 60 x 94 cm | 37 x 23 5/8 x 37 in

Sculptor, painter, and architect Tamara Kvesitadze uses art, engineering, and construction to explore movement. Recognized for her kinetic sculptures, Kvesitadze centers on the binaries of the natural and the machine-like in her work as well as the contrasts between the warmth of bodies and the coldness of materials such as metal and bronze.

Valentina Murabito
Self-Portrait. Study n.03, 2013
Analog, black-white photography, hand print by artist, BYT
60 x 50 cm | 24 x 20 in

Valentina Murabito
Pantomime n.03, 2015
Analog, black-white photography, hand print by artist / BYT
25 x 20 cm | 10 x 8 in

Valentina Murabito
Oracolo 2022,
Analog, black-white photography on concrete, synthetic resin
48 x 28 x 5 cm | 19 x 11 x 2 in

Valentina Murabito
Nausicaa. Study N.01, 2022
Analog black and white photography, hand prints of the artist, watercolor paper, on wood, resin
45 x 25 x 6 cm | 17 3/4 x 9 7/8 x 2 1/8 in

Analog photographic works by Valentina Murabito, in which the human being is captured in its physicality and then becomes an ethereal sculpture. Her motifs seem archaic and modern at the same time, exploring the fascination of human bodies and its origins. Supplemented by painterly and sculptural elements, the artist's work explores themes of alienation and familiarity, as well as aggression and vulnerability.

Youjin Yi
Atlas, 2021
Acrylic, Conté pen, Oil, Oil pastel, on korean paper
24 x 30 cm | 10 x 12 in

Youjin Yi
Fluffy Blue Bubble, 2023
Acrylic, oil, oil pastel on canvas
80 x 60 cm | 32 x 24 in

Youjin Yi
Monkey Business, 2023
Acrylic, Oil, Oil pastel on canvas
90 x 120 cm | 36 x 47 in

Youjin Yi
Under the stars
Acrylic, Oil, Oil pastel on korean paper mounted on canvas
40 x 60 cm | 16 x 24 in

Paintings by the Korean artist Youjin Yi, whose ostensibly childlike and fairytale-like formal language and subjects reflect our longing for a transcendental experience. Despite the ambiguity of the figures, which are embedded in dreamlike and supra-temporal spaces, the soft, plastic bodies seem as down-to-earth and tangible as our human bodies.

Pablo Benzo
Atelier, 2023
Oil on canvas
130 x 100 cm | 51 1/8 x 39 3/8 in

Pablo Benzo
Conciousness of colours, 2023
Oil on linen
130 x 100 cm | 51 1/8 x 39 3/8 in

Paintings by Pablo Benzo, whose tender language of forms, as well as the use of pastel colors, evoke the sensuality of our bodies. The play between round and angular, between soft and hard forms directs the eye to objects and landscapes that appear animated and almost human. Memories of the paintings of the South American Surrealists and the Pittura Metafisica are evoked.

Jay Gard
Sanssouci 5, 2020
Metal, wood, acrylic, flowerpot, plant
213 x 97 cm | 83 7/8 x 38 1/4 in

Jay Gard
Ornament Scribble 1, 2023
Ceramic, steel, concrete
56x 17 x 18.5 cm | 22 x 6 3/4 x 7 1/4 in

Jay Gard's sculptures speak directly to our senses. Between functionality and free artistic expression, his works seem adapted to our human needs and desires. His works are a body of objects that have their own personal form of expression, forms that can be grasped as feminine as well as masculine.